
Ask me what I did this weekend and I’ll tell you I saw a great live show…
Upon first listen, Jens Lekman, the Swedish Singer/Songwriter sounds made specifically for your girlfriend, your gay friend at work, and not for you. But if you can put your earphones in, allow your self to daydream a little, and pretend like no one’s watching, you may find yourself swaying back and forth.
I had to cram for the show Saturday night at Webster Hall. All I knew about Jens was that Kim liked them but Jeff didn’t and that she’d sent me two albums which I hadn’t put in my itunes yet. So Thursday and Friday at work were dedicated to giving both albums I had, ‘Night Falls On Kortadela’ (the newer one), and ‘Oh You’re So Silent, Jens’ a good, undistracted listen.
There’s no doubt that very quickly you’ll know either you’ll like this or you won’t. And if not, you’ll at least have some sort of judgement. I liked it pretty much right away, because, though I hate to admit it, on a few levels, I’m a bit of a pansy when it comes to certain types of music. Musicals such as Les Miserables and Joseph And The Amazing Technicolor Dream Coat, Peter Allen, Barry Manilow, weak 80’s music, and Whitney Houston’s classic cover of Greatest Love of All really all make me believe in some sort of way that the children are our future.
And so Jens Lekman is no different. His music paints a flamboyant Ross painting that’s easy to just get carried away with. Right away it reminded me of my parents in love in the 70’s, with a feeling like warm mahogany finish, red knit turtlenecks, and sipping wine with your love by fire on a rug made of shag. It’s refreshing. Everything old is new again, right? Barry Manilow may be pleased at Jens’s success. Maybe Neil Diamond too. Oh, and Bread. Definitely Bread. Such is the fate of a song that reminds us that you’re ‘Sipping on the sweet nectar of your memories‘.
He’s a unique songwriter as well so there’s no questioning that if the music is not your taste, which it shouldn’t be for many, then the lyrics are something to at least take note of. I had been surprised at how easily alot of what he says makes sense in a ‘life…and some of it’s stories’ sort of way. In fact, one thing I’d been impressed by at the show was the way he was able to add “spoken words” to his songs, that is speaking the lyrics or added anecdotes to his singing, thus making a story out of a good few of his tracks.
So what did I think going into that sold out show Saturday night at Webster Hall? This is what I thought after Friday afternoon:
“Jens Lekman. He’s that asshole Swedish guy at the bar that brought his guitar with him and is actually wooing your girlfriend away from you! He’s gonna get his ass kicked. And rightfully so. So what that you go home and put the album on yourself once your privacy is protected behind locked doors in the late night in your apartment. Are you gay cause you like this? Probably not. You may just want to feel alive. To love! Oh love! Oh life! Tell me what that’s like, Jens!”
Don’t worry. Jens won’t be stealing your girlfriend. (It’s a brief spell) And if he did, you wouldn’t want to be with her anyway. He’s not funny enough, or he doesn’t have enough grit. And that’s what your girl likes about you. But take comfort in the fact that you can appreciate someone like Jens. He’s not as bad as you once thought. A fine European young man, with something to contribute to todays musical terrain. Untainted by much of what we are used to seeing. Maybe it’s because it’s sounds so natural. Or he’s young enough to have not been tainted yet. Who knows. But we’re just happy you don’t live in Williamsburgh, Jens.
I was worried I’d need pajamas for this show. I thought it’d put me to sleep. But Jens showed up with a band of four females (like Robert Palmer’s Addicted To Love), enough to instantly grab anyones attention (girls playing drums, wow!), that, and the tight, white jeans and pure white patent leather shoes. He was a charmer from the beginning, with a great stage presence, classic banter, and stories that had you not only wanting to hear more, but wanting to have him over for a dinner party (specifically a dinner party). His voice really is that dreamy and it didn’t take long to hear the girls I was with to say they wanted nothing more than to make out with him. And my thinking was maybe I do too…
The show’s well thought out, with sync’d dance steps and audience partisipation. As if this wasn’t enough, there was a song where the cellist played only a cowbell the entire time! (I NEED MORE COWBELL!!!) Not once did I think ‘okay, enough of this’, which is rare enough for me. His songs are just easily likable, and I was quickly realizing that this is an artist that, seeing live, makes his recorded music better -Not easy to pull off. He was out for two or three encores. And they were all enjoyable. I’d read that his shows were good, and he did not dissappoint. I’d go into greater detail, but sorta like what he sings about in alot of his songs, it was just a shared moment. A good moment. This was a great show.
NOTES, COMMENTS, ETC…
-At the show he told us Kortadela referred to a place in Sweden that he used to live in. A real shithole…
-He’ll make a great greatest hits album some day. One your kids mom will love.
-Right as Night Falls On Kortadela was to be deemed too long, it ends with a sweet take on 50’s rock and roll, that is Friday Night At the Drive In Bingo. As if to say, wasn’t this all innocent fun?
-Here is a link to a review of his SxSW show courtesy of Jeff. Thank you Jeff for everything!
-If I had to pick a favorite song it was probably A Postcard To Nina, which is a doo-wop-py about how Jens can’t pretend to be Nina’s boyfriend in front of her father, but that she should just be the lesbian that she truly is. Good advice for all of us…
-Where is there a setlist for this show? Does anyone have it?
-He’s slightly balding, which is saddening since he’s younger than I am. But he makes a very good case for all those young men out there loosing their hair. (It’s all good, Ben)
Oh you’re SO SILENT JENS…